computing.unn.ac.uk/staff/cgpv1 My database of references en Copyright 2005 Thu, 24 Feb 2005 15:37:42 Europe/London HANDBOOK OF PERCEPTION PSYCHOLOGY OF MUSIC AUDITORY IMAGERY READINGS IN COMPUTER-GENERATED MUSIC ICAD '96 M-Commerce {D}irk {G}ently's Holistic Detective Agency The {D}ilbert Principle The Functions of Multiple Representations Analysing the Costs and Benefits of Multi-Representational Learning Environments Co-ordinating Multiple Representations in Computer Based Learning Environments There Is More Than One Way to Solve a Learning Problem: Evaluating a Learning Environment that Supports the Development of Children's Learning Skills The {V}arese System, Hybrid Auditory Interfaces, and Satellite-Ground Control: Using Auditory Icons and Sonification in a Complex, Supervisory Control System Effects of music on cardiovascular reactivity among surgeons Novices' Debugging When Programming in {P}ascal The Design of the {PROMISE} Multimedia System and its Use in a Chemical Plant Human-Computer Interaction and Music: Squaring the Circle? Using Music in Computer Interface Design Can We Use Music in Computer-Human Communication? The Well-Tempered Computer Engineering for the mind: cognitive science and musical composition Communicating Graphical Information to Blind Users Using Music: The Role of Context in Design The {CAITLIN} Auralization System: Hierarchical Leitmotif Design as a Clue to Program Comprehension Using Music as a Communication Medium Acoustical Terminology SI, 1-1960 EndoAssist http://www.armstrong-healthcare.com/html/products.htm A Review of the Cocktail Party Effect Efficient Listening with Two Ears: Dichotic Time Compression and Spatialization Micro-Narratives in Sound Design: Context, Character, and Caricature in Waveform Manipulation Software Visualization for Debugging Towards Animating Computer Programs: A First Progress Report Sorting out Sorting A Programmer's Interface: A Visually Enhanced and Animated Programming Environment Software Visualization for Debugging Visualizing Software Systems {COAST}: Its Current Status, Operation and Results Design and Performance of {COAST} Software Visualization in the Large Delivery of Information Through Sound Pattern and Reference in Auditory Display Using Sonification {ICAD} 2004: Proceedings of the 10th Meeting of the International Conference on Auditory Display, 6-9 July Science Now Survey fever A System for Algorithm Animation Camera Control for Laparoscopic Surgery by Speech-Recognising Robot: Constant Attention and Better Use of Personnel Syncronized Delivery and Playout of Distributed Stored Multimedia Streams Listening to Turbulence: An Example of Scientific Audiolization Sonic Enhancement of Two-Dimensional Graphic Displays Earcons and Icons: Their Structure and Common Design Principles Presenting Information in Sound Sound and Computer Information Presentation Multivariate Data Mappings {LISTEN}: A Tool to Investigate the Use of Sound for the Analysis of Program Behaviour Preliminary Report on Design Rationale, Syntax, and Semantics of \uppercase{LSL}: A Specification Language for Program Auralization {ADSL}: An Auditory Domain Specification Language for Program Auralization Auditory Software Fault Diagnosis Using a Sound Domain Specification Language Sound Enhanced Visualization: A Design Approach Based on Natural Paradigms Preprogramming Knowledge: A Major Source of Misconception in Novice Programmers The {CS}ound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming The Musician's Guide to {MIDI} Observation, Manipulation, and Eye-Hand Coordination Problems in Minimally Invasive Surgery Auditory Scene Analysis: The Perceptual Organization of sound Brewer's Dictionary of Phrase and Fable Using Non-Speech Sounds in Mobile Computing Devices The Sonic Enhancement of Graphical Buttons Experimentally Derived Guidelines for the Creation of Earcons Providing a Structured Method for Integrating Non-Speech Audio into Human-Computer Interfaces Navigating Telephone-based Interfaces with Earcons The Design of Sonically-Enhanced Widgets Sonically Enhanced Drag and Drop Using Non-Speech Sounds to Provide Navigation Cues A Sonically-Enhanced Interface Toolkit Overcoming the Lack of Screen Space on Mobile Computers Enhancing Scanning Input with Non-Speech Sounds A Detailed Investigation into the Effectiveness of Earcons Making Menus Musical Parallel Earcons: Reducing the Length of Audio Messages Learning to Think and Communicate withDiagrams: 14 Questions to Consider Learning to Build and Comprehend Complex Information Structures: Prolog as a Case Study A System for Algorithm Animation An Experiment into the Use of Auditory Cues to Reduce Visual Workload Color and Sound in Algorithm Animation The Perception of Contemporary Pitch Structures An Investigation of the Impact of Mobile Phone and PDA Interfaces on the Usability of Mobile-Commerce Applications A Study of Application and Device Effects Between a WAP Phone and a Palm PDA Tuning Telescopes Using our Ears: An Introduction to the Use of Nonspeech Audio Cues A Holistic Approach to User Interface Design Communicating with Sound Silence Interactive Environments for Music and Multimedia The Psychology of Human-Computer Interaction Human-Computer Interaction: Psychology as a Science of Design Chambers {E}nglish Dictionary Cognitive Science Approaches to Understanding Diagrammatic Representation The Use of Faces to Represent Points in k-Dimensional Space Graphically Some Experiments on the Recognition of Speech with One and with Two Ears Evaluating Interface Design Choices in {WAP} Phones: Navigation and Selection Evaluating Interface Design Choices on {WAP} Phones: Single-choice List Selection and Navigation Among Cards From Server to {PDA}: an {HCI} Perspective on Porting Wireless Roaming Business Applications Monitoring Background Activities {O}ut{T}o{L}unch: Further Adventures Monitoring Background Activity Interpreting the Scriptures: A Textbook on How to Interpret the Bible Learning a First Computer Language: Strategies for Making Sense The Inmates Are Running The Asylum What Do Novices Learn During Program Comprehension? Mental Representations of Expert Procedural and Object-Oriented Programmers in a Software Maintenance Task Planning of Experiments Representation Construction, Externalised Cognition and Individual Differences Making Progress With Sounds - The Design and Evaluation Of An Audio Progress Bar Pitch Relations and The Formation of Scalar Structure Research on Memory/Imagery for Musical Timbre The Jackson Approach to System Development: An Introduction Acquiring Knowledge in Science and Mathematics: The Use of Multiple Representations in Technology-Based Learning Environments The Tritone Paradox: An Influence of Language on Music Perception The Internal Representation of Pitch Sequences in Tonal Music The Psychology of Music The Cognitive Reality of Hierarchic Structure in Tonal and Atonal Music Visualizing Program Behaviour Using Non-speech Audio Program Auralization: Sound Enhancements to the Programming Environment Human-Computer Interaction A Framework for Describing and Implementing Software Visualization Systems Taking Note:Music, mind, and nature Melodic Information Processing and Its Development Pitch Structure {CRUSADE}: Co-ordination of Multiple External Representations in Program Understanding and Debugguing, EPSRC grant no. GR/N64199/01 Sound, Space and Metaphor: Multimodal Access to Windows for Blind Users The Challenge of Mobile Devices for Human Computer Interaction Soundtrack: An Auditory Interface for Blind Users Development of a Standard Test of Musical Ability for Participants in Auditory Interface Testing Melodic Contour and Musical Structure The Transparent Prolog Machine "Music and IT", Report of the Workshop held on 21/22 February 2001 at the White Hart Conference Centre, Harrogate. People and Interactivity Review Minimally Invasive Surgery and Technology Aesthetic Programming: Crafting Personalized Software Personal Communication Aesthetic Computing Sonifying the Body Electric: Superiority of an Auditory over a Visual Display in a Complex, Multivariate System Points-to Analysis for Program Understanding Data Sonification from the Desktop: Should Sound be Part of Standard Data Analysis Software? Statistics for Mobile Commerce The Perception of Music Debugging Parallel Programs Using Sound Breaking the Silence: Auralization of Parallel Program Behaviour The Sounds of Parallel Programs Visual-Aural Representations of Performance for a Scalable Application Program MP3EnvV3.1: Next Generation High-End MPEG Layer-3 Encoding TRIANGLE, a Practical Application of Non-Speech Audio for Imparting Information Projected Realities: Conceptual Design for Cultural Effect Realizing a Video Environment: EuroPARC's RAVE System Auditory Icons: Using Sound in Computer Interfaces The SonicFinder: An Interface that Uses Auditory Icons Using and Creating Auditory Icons Auditory Icons in Large-Scale Collaborative Environments Effective Sounds in Complex Systems: The ARKola Simulation Does Signalling Help Professional Programmers Read and Understand Computer Programs? An Investigation of Procedure and Variable Names as Beacons during Program Comprehension Comprehension and Recall of Miniature Programs Methodological Issues in the Study of Programming Toward Authentic Measures of Program Comprehension Research Methods: A Process of Inquiry Comprehensibility of visual and textual programs: a test of superlativism against the 'match-mismatch' conjecture Musical Aspects of Auditory Imagery Listening: An Introduction to the Perception of Auditory Events Alternative Forms of Audio Communication Designing Earcons with Musical Grammars Musical Phrase-Structured Audio Communication Musical Grammars as the Basis of Non-Speech Audio Communication Squeeze Me, Hold Me, Tilt Me! An Exploration of Manipulative User Interfaces Development of NASA-TLX (Task Load Index): Results of Empirical and Theoretical Research Human-Computer Interaction: Interdisciplinary Roots and Trends Basically Musical Listening to the Earth Sing Sound of music to bring out the bugs Learning About Harmony With Harmony Space: an Overview Computer Animation Used as a Tool in Teaching Computer Science The Auditorialization of Scientific Information Representing Musical Structure What Do We Know About Programming? Bridging Observation and Design in Concept Development for Mobile Devices Software Probing Tests Components of Auditory Imagery The Identifiability of Auditory Icons for use in Educational Software for Children Aural Signatures of Parallel Programs Synchronization of Visual and Aural Parallel Program Performance Data Presenting HTML Structure in Audio: User Satisfaction with Audio Hypertext Lessons from Developing Audio HTML Interfaces The Music of the Spheres The Run-Time Components of {S}onnet {S}onnet: Audio-Enhanced Monitoring and Debugging Sketchpad III: Three Dimensional Graphical Communication with a Digital Computer PROUST: Knowledge-Based Program Understanding Real-Time Spatial Processing of Sounds for Music, Multimedia and Interactive Human-Computer Interfaces Music, the Brain and Ecstasy: How Music Captures our Imagination Value chains for business-to-business m-commerce Über Das Geistige in Der Kunst: Insbesondere in Der Malerei (On the Spiritual in Art: And Painting in Particular) Debugging: An Analysis of Bug-Location Strategies \uppercase{A}udio\uppercase{G}raf: A Diagram-Reader for the Blind A Programmer's Guide to Sound A First Course in Computer Programming Using C PM---Protein Music Protein Music Bugs in computer code strike a discordant note L5: Bell Telephone Laboratories Low-Level Linked List Language Literate Programming Sonification Report: Status of the Field and Research Agenda Sonification of Financial Data: An Overview of Spreadsheet and Database Sonification Auditory Display An Introduction to Auditory Display Preface Some Organizing Principles for Representing Data with Sound V-Lynx: Bringing the World Wide Web to Sight-Impaired Users Perceived Similarity of Musical Motifs: An Exploratory Study Computer Experience and Cognitive Development: a Child's Learning in a Computer Culture Learning Computer Programming: A Route to General Reasoning Skills? The Perception of Metrical Structure: Experimental Evidence and a Model An Investigation of Using Music to Provide Navigation Cues. Atonal Prolongational Structure A Generative Theory of Tonal Music An Overview of Hierarchical Structures in Music Model-Based On-Line Handwritten Recognition The Debugging Scandal and What to Do About It Analysis and User Evaluation of a Musical-Visual System: Does Music Make Any Difference? Classifying Graphical Information A Case Study for Auditory Navigation in Virtual Acoustic Environments Animating Programs Using Smalltalk Quill: Providing Advice for Pen-based Gesture Design Visual Similarity of Pen Gestures Perception of Melodies The Perception of Music loudSPIRE: an Auditory Display Schema for the SPIRE System An Evaluation of the communicative Ability of Auditory Icons and Earcons Auditory Presentation of Experimental Data A Microcomputer-based Laboratory Aid for Visually Impaired Students High Technology Laboratory Aids for Visually Handicapped Chemistry Students A Framework for Sonification Design Data Sonification: Do You See What I Hear? Agents that Reduce Work and Information Overload Soundgraphs: A Numerical Data Analysis Method for the Blind Audicon: Easy Access to Graphical User Interfaces for Blind Persons -- Designing for and with People How Experts Infer Novice Programmer Expertise: A Protocol Analysis of LISP Code Evaluation Project {L}isten and {JL}isten {LSL}: A Specification Language for Program Auralization Musical Structures in Data from Chaotic Attractors The Auditory Image: A Metaphor for Musical and Psychological Research on Auditory Organization Making Music with Algorithms: A Case-Study System A Software Complexity Metric They Have a Better Idea...Do You? An Intelligent {FORTRAN} Adviser for Postgraduates and Researchers Knowledge-Based Advising in the Domain of Scientific Programming Emotion and Meaning in Music Dynamic Representation of Multivariate Time Series Data Vanishing Windows: An Approach to Adaptive Window Management The Magical Number Seven, Plus or Minus Two: Some Limits on our Capacity for Processing Information Music, Mind, and Meaning Music, Machines, Intelligence and the Brain A Principled Design Methodology for Auditory Interaction MIDI-1.0 Specification PROLOGRAPH: The Implementation and Evaluation of a Graphical Monitoring System for Prolog An Introduction to the Psychology of Hearing Elements of Computer Music Logic, Language, and Computation, Vol II Man's Senses as Informational Channels Using a Fine-Grained Comparative Evaluation Technique to Understand and Design Software Visualization Tools Designing Auditory Cues for Mercator Auditory Presentation of Graphical User Interfaces An Analysis of the On-Line Debugging Process Some Major Theoretical Problems Concerning the Concept of Hierarchy in the Analysis of Tonal Music Task Load Index (NASA TLX) v1.0 computerised version Alfred Hitchcock's Psycho Screenplay Usability Engineering Cognition, Education, and Multimedia: Exploring Ideas in High Technology User-Centred System Design: New Perspectives on Human-Computer Interaction The Psychology of Everyday Things Emotional Design: Why We Love (or Hate) Everyday Things Hyperproof: Abstraction, Visual Preference, and Multimodality The All Pervasive Principle of Repetitious Recurrences Governs Not Only Coding Sequence Construction but also Human Endeavour in Musical Composition Endoscopic Operating Theatre Equipment: Integrated Control by Speech Recognition Studying Information Technology in Organizations: Research Approaches and Assumptions Human Cognition and Programming Does Programming Knowledge or Design Strategy Determine Shifts of Focus in Prolog Programming? Mental Representations: A Dual Coding Approach Fundamental Aspects of Cgonitive Representation Models for Visualization in Parallel Debuggers Using a Prototype Program Assessment Tool Knuth With Knobs On - Literate Program Development Harmony: A Psychoacoustical Approach Programming tool makes bugs sing Comparison of Contrasting Prolog Trace Output Formats Synesthetic Perception: Alexander Scriabin's Color Hearing Stimulus Structures and Mental Representations in Expert Comprehension of Computer Programs The Mathematics of Barbershop Quartet Singing Some labs are alive with...The Sound of Data A Glimpse of Expert Programmers' Mental Imagery Television Comprehension as an Example of Applied Research in Cognitive Psychology Making Maps Easy to Read - A Summary of Research The Songs of Insects Gestural and Audio Metaphors as a Means of Control for Mobile Devices Aspects of Tone Sensation The Emergence of Thematic Concepts in Repeated Listening to Music Catch the music bug Software Engineering: A Practitioner's Approach Processing of Timbre and Rhythm in Musicians and Non-Musicians Seismic sonata: a musical replay of the 1994 Northridge, California earthquake An Empirical Study of Novice Program Comprehension in the Imperative and Object-Oriented Styles Alfred Hitchcock and the Making of Psycho Auditory Imagery What Do Expert Programmers Communicate by Means of Descriptive Commenting? Can Music Support Visual Interfaces to Complex Databases? Guidelines for Auditory Interface Design: An Empirical Investigation The Use of Music in a Graphical Interface for the Visually Impaired How Can Multimedia Designers Utilize Timbre? Interactive Program Assessment Using SPROUT Using Mobile Communication Devices to Access Virtual Meeting Places The Computer Music Tutorial Real World Research Experiment, Design and Statistics in Psychology Visual Attention and Representation Switching During Java Program Debugging: A Study Using the Restricted Focus Viewer A survey of external representations employed in object-oriented programming environments Co-Ordination of Multiple External Representations during Java Program Debugging Cognition and Categorization Melodic Processes and the Perception of Music Music programmes to find bugs Patterns of Mobile Interaction AB-Web: Active Audio Browser for Visually Impaired and Blind Users Emblems of Mind: The Inner Life of Music and Mathematics Specifying Gestures by Example Voice Activation of a Surgical Robotic Assistant Multimodal Human-Computer Interface Household Appliances Control Device for the Elderly Kyma: An Object-Oriented Language for Music Composition Sound Synthesis Algorithms for Auditory Data Representation Using Sound to Extract Meaning from Complex Data Free Composition Advanced Interaction in Context Beyond MIDI: The Handbook of Musical Codes Behind the Mas: Perceptual Coding-How MP3 Compression Works The Cognitive Reality of Hierarchic Structure in Music Direct Manipulation: A Step Beyond Programming Languages 50 Years After "As We May Think": The Brown/MIT Vannevar Bush Symposium Art of Foley The Psychology of Music Immediate Recall of Melodies The Pleasingness of Melodic Sequences: Contrasting Effects of Repetition and Rule-familiarity Human Perception and Visualization Environments fo Exploring Auditory Representations of Multidimensional Data Beyond numbers: Don't ask "how many" ... ask "why" Designed Randomness A Pedagogy of Creative Thinking based on Sonification of Visual Structures and Visualization of Aural Structures Sonic Scene Design The Sandbook Studio: Online Publications InfoSound: An Audio Aid to Program Comprehension Cognitive Flexibility and Hypertext: Theory and Technology for the Nonlinear and Multidimensional Traversal of Complex Subject Matter Novice Mistakes: Are the Folk Wisdoms Correct? Signs, Information, Norms and Systems Software Visualization: Programming as a Multimedia Experience Developments in Minimally Invasive Surgery and Interventional Techniques (MISIT) A Cognitive Theory of Graphical and Linguistic Reasoning: Logic and Implementation Cognitive Design Elements to Support the Construction of a Mental Model During Software Exploration The Problem of Prolongation in Post-Tonal Music Music from the Ocean Measuring Intuitive Knowledge in Science: The Development of the What-If Test The Need for Limits in Hierarchical Theories of Music Plasticity of User Interfaces: Framework and Research Agenda A Schema for the Study of Graphic Language Learning with Multiple Representations Model-Based Design of Mobile User Interface Expertise in Debugging Computer Programs: A Process Analysis Software Assisted Program Design The Use of Literate Program Development Tools CAITLIN: Implementation of a Musical Program Auralisation System to Study the Effects on Debugging Tasks as Performed by Novice Pascal Programmers Using the World-Wide Web as a Platform for an Interactive Experiment Auditory External Representations of Programs External Auditory Representations of Programs: Past, Present, and Future - An Aesthetic Perspective Sonification and Visualisation of Narrative: Getting Computing Students to Think Aurally and Visually Rather Than Aduio-Visually {CAITLIN}: A Musical Program Auralisation Tool to Assist Novice Programmers with Debugging Towards some Organising Principles for Musical Program Auralisation Musical Program Auralisation: Empirical Studies Musical Program Auralisation: A Structured Approach to Motif Design Using Music to Communicate Computing Information When Bugs Sing Siren Songs and Swan Songs: Debugging with Music The Well-tempered Compiler: The Aesthetics of Program Auralization Space Odyssey: The Design and Evaluation of an Educational Web Site for Children The Use of Audio in Minimal Access Surgery Diary in the Sky: A Spatial Audio Display for a Mobile Calendar Psychophysical Scaling of Sonification Mappings Auditory-visual Conflicts in the Perceived Duration of Lights, Tones and Gaps On the Perceptual Organisation of Tone Sequences and Melodies Psychology of Computer Programming The Psychology of Computer Programming: Silver Anniversary Edition Loony tunes: bugs blare in software set to music Spatial Sound and Sonification Ratings of Suitability of Probe Tones as Tonics Following Random Ordering of Notes of the Diatonic Scale Musical Structure and Knowledge Representation A Comparison of Object-Oriented and Procedural Programs by Novice Programmers Matching Goals to Tasks: An Approach Based on Expressiveness Perceptual Principles in Sound Grouping Design and Architecture of Distributed Sound Processing and Database Systems for Web-Based Computer Music Applications Designing for the Colour-Challenged: A Challenge X-Stroke: Full-screen Gesture Recognition for X Browsing the World Wide Web in a Non-Visual Environment Embedding Interactive Sounds in Multimedia Applications Pattern Recognition by Audio Representation of Multivariate Analytical Data Fundamentals of Hearing: An Introduction BrookesTalk - A Web Browser for the Blind and Visually Impaired - http://www.brookes.ac.uk/schools/cms/research/speech/btalk.htm a Web Navigation Tool for the Blind Schr\"{a}ge T\"{o}ne im Programm: Die Erfindung eines Doktoranden macht Software-Fehler h\"{o}rbar